Thank you for visiting my site!

Your questions or comments are most welcome. Please drop me an email to let me know what you think of my work and or my web site.

E: s@seexeng.com
P: 651-481-3976

Facebook

Home
A Hmong Artist

"Seexeng is a recognized artist and a passionate educator. His work is recognized nationally for its beauty, its power and its mythic hold on meaning. Specifically, what it means to be Hmong in America and through time. Seexeng's work is a testament to the passion and perseverance of a community that has come a long ways to today and continues on a road that will lead us to places weve never been."

- Kao Kalia Yang - (Author of "The Latehomecomer", by Coffee House Press. 2008)
Latest Event
2015 Legacy Day Mural

2015 Legacy Day Mural

The Blake School

The tunnel linking the Hopkins Lower School to the Middle School is undergoing a colorful transformation thanks to art teacher Seexeng Lee and a group of Blake student-artists. Look for more on this project in the months to come! (Video by Nadia Lee) [read more]

Post on: June 8, 2015 9:56:00 AM

Read more posts
  • Txhais Nkauj Hmong

    Txhais Nkauj Hmong

    24"x36", acrylic on canvas with 24KT gold and copper leaf highlights. 2014

  • Hmong Woman Sewing a Paj Ntaub

    Hmong Woman Sewing a Paj Ntaub

    18"x24", acrylic on canvas with 24kt gold, silver and copper highlights. 2005. The Hmong Paj Ntaub exists in two styles. The oldest form is the the "flower cloth" Paj Ntaub. The newest form, which first appeared in the Thailand refugee camps in the 1970's, is the "story cloth" Paj Ntaub.The Paj Ntaub is viewed worldwide, as art form perhaps unique to the Hmong. The skill necessary to create both the old, and more recent, art form, take years to master. These skills traditionally have been passed from mother to daughter, often from an early age when the child is first able to hold a needle.

    This painting was inspired by, and created, to honor Hmong women and their dedication, devotion and commitment to preserving the literal and figurative, fabric of Hmong life.

  • Then and Now

    Then and Now

    24"x36", acrylic on canvas with 24kt gold, silver and copper leaf highlights. 2005. I believe that we, the Hmong are some of the most resilient people to set foot on this earth. Then we were farmers, living in our ancestral homeland- high hills and mountains of China. Then we express ourselves with threads and needles. Now we are doctors, lawyers, educators, politicians and etc. Now, we expressed ourselves with paint and paint brushes.

  • Alchemy

    Alchemy

    24"x36", acrylic on canvas. 2013. The traveler---one who is on the move, moving from place to place through space, ideas, cultures and time signifying that change is inevitable. Yet it is more than change, is transformation. I believe that these changes, for the most part are for the better. They are always inevitable, despite resistance from elders. Even when one starts from a dark, sad and at times unbearable place, with strong work ethic, morals, support from others, and a sprinkle of luck, success may follow. Most importantly is not losing one's sense of hope. I strongly believe beautiful changes can and mostly likely will occur. We witness this transformation on a daily basis and throughout nature's wonders. The title comes from medieval times when Alchemy, the creation of something special from something common, was common.

  • Mother's Love

    Mother's Love

    24"x36", acrylic on canvas with 24kt gold, silver and copper leaf highlights. 2005. My tribute to all mothers and the love they have for their children.